Whether it was with his fists or his trusty gun, "Betsy," a Colt Model 1911A1. Like its 1950s predecessor, Keach's Mike Hammer never shied away from violence. Examples of this include Hammer's love for cigarettes being at odds with the growing social disdain for smoking and the detective's humorous inability to comprehend the youth trends of the decade. The show's writers latched on to this element of clashing eras and often used it as a comic relief in the show. Hammer would regularly wind up in bed with the highly sexualized female characters in the show, who would never fail to melt once they had fixed their eyes upon the brawny detective. A prominent feature of most episodes was the inclusion of a number of female characters (known in casting sessions "Hammer-ettes") who would exchange a double entendre or two with Hammer while wearing very low tops and push-up bras emphasizing their ample cleavage. In contrast to the charming male leads in other popular detective shows of the day (e.g., Remington Steele, Thomas Magnum), Mike Hammer was unapologetically masculine with little concern for political correctness. The song proved to be one of the most popular elements of the program. The show's theme song Harlem Nocturne by Earle Hagen, a jazz tune featuring a deeply melancholy saxophone, set a gritty tone for each episode. Indeed, Keach's Mike Hammer left the viewer with the impression that this detective had been somehow transported from a 1940s film set to 1980s New York City. While his get-up made a particularly awkward fashion statement for the time, the juxtaposition of old and new was a central theme in the show. For example, each show featured the protagonist's narrative voice-over and, much like the archetypal hard-boiled detectives of years gone by, Hammer would rarely be seen without his wrinkled suit, fedora and trench coat. While firmly situated in the 1980s, the tone of the show also incorporated elements of classic film noir detective films, such as The Maltese Falcon. Toughness is probably the least important factor."
Shannon whirry mike hammer series#
"To sustain a series on television, I think you need a certain humor, charm and vulnerability. "We've softened him up a little bit," Keach told The New York Times. Keach was familiar with the tough and insensitive novelized version of Hammer and worked to make his version more palatable to a television audience. A recurring plot line throughout the show focuses on the murder of someone the protagonist was close to, resulting in Hammer seeking out revenge. The show follows the adventures of Mike Hammer, the fictitious private detective created by crime novelist Mickey Spillane, as he works to solve cases, often involving murder. 8 Keach's Mike Hammer in subsequent years.The movies and series were produced under the guidance of Executive Producer Jay Bernstein, who acquired the television rights from his close friend Mickey Spillane for one dollar.
Shannon whirry mike hammer tv#
Murder Me, Murder You was initially envisioned as a stand-alone TV movie, but ultimately became a backdoor pilot for the series when it was received positively by audiences). The series consisted of 51 episodes, 46 one hour episodes, a two part pilot episode ( More Than Murder), and three TV Movies ( Murder Me, Murder You, The Return of Mickey Spillane's Mike Hammer, and Mike Hammer: Murder Takes All. Mickey Spillane's Mike Hammer (later titled The New Mike Hammer), with Stacy Keach in the title role, is an American crime drama television series that originally aired on CBS from January 28, 1984, to May 13, 1987. ( May 2017) ( Learn how and when to remove this template message) Statements consisting only of original research should be removed. Please improve it by verifying the claims made and adding inline citations. This section possibly contains original research.
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